
It’s shake-up time for “Law & Order: Criminal Intent.”
Sources from the “L&O” galaxy say that stars Vincent D’Onofrio, Kathryn Erbe, and Eric Bogosian are all expected to be phased out at various points during the series’ upcoming ninth season. Julianne Nicholson left the show a few months ago. Executive producer Dick Wolf is turning to Jeff Goldblum, who joined the cast last season, to remain as lead detective in the series along with Saffron Burrows, who was recently cast to replace Nicholson as Goldblum’s partner.
It’s a big change for a show that has weathered a lot of casting changes since it began in 2001. D’Onofrio and Erbe have been there since the beginning, while Bogosian joined in 2006. Since then, the original pair have had to make room for Nicholson and Chris Noth, who left last year. Goldblum arrived in 2008.
Details about D’Onofrio, Erbe and Bogosian’s exit are still unclear as the actors’ deals are being worked out. The network only recently renewed the Wolf Films/Universal Cable Prods. series for a ninth season, slated to premiere in late spring with a two-parter.
How interesting that Wolf has decided to go this way since D’Onofrio, while erratic, has been very popular. But “L&O:CI” is a USA Network show now after running on sister channel NBC. And USA, insiders point out, likes lighter fare when it comes to its shows. Goldblum is more in the tradition of Tony Shalhoub’s “Monk” than D’Onofrio.
While D’Onofrio is departing as a regular, it is possible for him to reprise his character in guest stints.
“Law & Order” just keeps chugging along in its various guises. The names change but the music remains the same.
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D'Onofrio to leave 'Criminal Intent'
By THE ASSOCIATED PRESS
September 26, 2009
http://www.capecodonline.com/apps/pbcs.d
LOS ANGELES — Changes are afoot at "Law & Order: Criminal Intent," with charter cast member Vincent D'Onofrio exiting the USA Network series and recent recruit Jeff Goldblum taking over full time.
D'Onofrio's character, Detective Robert Goren, will say goodbye in a two-hour handoff episode to open the ninth season early next year, "Criminal Intent" creator and executive producer Dick Wolf said yesterday.
Goldblum, who joined the series last season, will continue as Detective Zack Nichols in the NYPD Major Case Squad.
"After eight seasons, and with the addition of Jeff Goldblum, now is the perfect time for me to explore other acting opportunities," D'Onofrio said in a statement.
He added, "I wouldn't be surprised if Goren pops up from time to time."
"Criminal Intent" premiered on NBC in 2001 with D'Onofrio as the series' sole lead. From 2005 through Goldblum's arrival, Chris Noth co-starred on an alternating basis with D'Onofrio.
USA became the series' primary outlet two years ago.
In another possible cast change next season, Goldblum could be joined by Saffron Burrows, replacing Julianne Nicholson, according to a person close to the production who spoke on condition of anonymity. The person, who is not authorized to speak publicly about casting, said Nicholson isn't expected to continue with the series. She has played Detective Megan Wheeler since 2006.
Burrows' credits include the film "The Bank Job."
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OLD INTERVIEW
Law and Order Criminal Intent stars talk about the new season
Interview with Kathryn Erbe and Vincent D’Onfrio
USA sponsored a call with the stars of Criminal Intent- here is what they had to say about the new season:
Q: Kathryn, what about your role continues to challenge you?
K. Erbe Finding ways to – let’s see. That’s a very good question. I don’t know, every day we have new challenges, just in dealing with the new actors that we get to work with. We have new writers on the show, new producers and I feel like it’s a challenge just staying involved with the work that we’re doing and staying actively involved in finding ways for Eames to stay important to the stories and to bring a positive – just have a positive effect on what we’re doing.
Q: And Vincent, after so many seasons, how do you all continue to maintain chemistry between each other?
V. D’Onofrio I think it’s been eight years now, so I think that anything the audience sees is just whatever has happened naturally in the eight years. I think that both of us kind of just rely on that – the history of the show and the history of the characters – to just somehow translate to the audience in some way.
Q: This is for either one of you: How much more in-depth is the Goren-Wallace frame-up story going to go into during season seven? Or is that just completely done?
K. Erbe Oh, she’s dead. Right?
V. D’Onofrio Yes, that’s over.
K. Erbe Yes. Unfortunately, sadly, they killed her.
Q: There’s no way it’s going to come back to haunt you guys later on?
V. D’Onofrio I don’t think so, no. That was a certain set of writers that were doing that, and we were enjoying that with them. And then we’ve had another set of writers since then, so – that’s not going to happen again, I don’t think.
K. Erbe Yes. It’s sad.
Q: This first question is for Vincent. You’ve played quite a variety of topics. What kind of role do you enjoy the most, or does like playing maybe evil have a different set of challenges than what you’re doing now?
V. D’Onofrio Is the question which I prefer?
Q: Yes, what kind of role; because you play good and evil, so –
V. D’Onofrio I don’t know, I think I’m – it’s the same as most actors. Anything that’s interesting, you know. Like whatever comes my way, like the most interesting parts of those are the ones that I would do. I don’t really have like a dream role or anything like that. I just go script by script and see what’s interesting, and if not, then I don’t do it. You know, it’s like that.
Q: Vincent, I wanted to ask, with the events of last season’s finale, what is your character’s mental state at the beginning of the season? Is he resolved about – resigned himself to all of the loose ends being tied up or is he at all – has he broken down at all in the face of everything that’s happened to him and his nephew being missing?
V. D’Onofrio We never really tie anything up when it comes to Kate and my characters, because it’s – they always want to leave it open. You know, we tie up criminals, but – we’ll end those stories, but not – they’ll never really shut any kind of storyline down completely, so it’s kind of open as to what’s going to happen with my character, I don’t know. I think that this eighth season, I just – you know, I just played it differently than last season, but last season was very, very extreme. So this season, it’s like he’s just trying to be a cop, trying to do the best you can kind of a thing.
Q: My question here is for Vincent and I’d like to know, what is it like to be developing a character over several TV seasons as opposed to having to develop a character in a two-hour film?
V. D’Onofrio Yes, it’s completely different. When I first started the TV show, I kind of thought it’s ostensibly about the character, and did a lot of planning and stuff. Most of the planning went out the window, and then I just kind of tried my best after that. With a film, it’s much more – it’s really planned out scene by scene and there’s a real solid arc hopefully most of the time. The structure of the film is in three acts, you know it’s going to end – it’s easier to plan out a role like that. It’s just as interesting but it’s a completely different thing. With the show, it’s just wide open. We just keep doing it, and there’s different crimes, different little stories to tell. So it’s two different things. I think I just always will prefer films. I just think that’s my favorite thing to do. But Goren’s a great character, so it’s good to do.
Q: What do you feel it is about a show like Law & Order that resonates well with viewers?
V. D’Onofrio I think in our show I think it’s the characters, and I think we investigate weird crimes and I think it’s a popular thing on TV, these kind of crime shows and – just like people were not – and still are – into like crime novels and short stories. That’s what we’re doing, but we’re doing like a TV version of that, so – you know, it takes off and people like it.
K. Clarke Do you have a favorite type of case to tackle on the show?
V. D’Onofrio Yes, I like simpler stories. Like we just finished one like a spree killer type story about one guy doing bad things, and Kate and I had to like, you know, catch him. It was more direct, not complicated, and it had heart, and I like that kind of thing.
Q: Jeff Goldblum is new to the show and I know you guys aren’t working directly with him, but have you seen any of his work and how is he fitting in with the show?
V. D’Onofrio To me it looks like he’s psyched. Kate, do you want to – go ahead.
K. Erbe That’s okay. We only really got to see him in the beginning when he was waiting for his scripts to be ready. He came and hung out with us extensively and learned all the names of everybody on the crew and just asked us a lot of questions. It seems like the crew is really happy with him and the producers and like he’s having a good time.
V. D’Onofrio Yes. He seems really enthusiastic. And I haven’t seen any of his episodes, so I can’t comment on that.
K. Erbe Yes.
Q: Have you worked with any particularly interesting guest stars or bad guys for the new season?
K. Erbe We have a lot. We have Lynn Redgrave, we have Scott Cohen and Kathy Baker are in the episode Sunday night. We had a great time with them. Who else, Vince?
V. D’Onofrio We’ve also worked with some really good unknown actors, like young people that were really good. We’re very lucky in that way, that most times we get really good actors, whether they’re known actors or not.
K. Erbe Yes.
V. D’Onofrio That’s one of the pros of working on this show.
K. Erbe Yes.
Q: This question is for Vincent: Your character goes into some very dark places, and we’ve seen a lot of changes in him since the beginning in the last season, and I was wondering what kind of toll that takes on you as a person, what effect that has on you, if any, in your real life.
V. D’Onofrio Well, it takes a lot of time. It used to take a lot more time before we started sharing the episodes with another detective. But – you know, it’s – how do I answer this? The first four years, or maybe the first three years of the show, when we were trying to make the show a show, you know, just make it distinct from the other Law & Orders and just a plain old good show that people would watch, that was – that was hard. It was like a 24-hour job and it was with me all the time.
But that’s a long time ago now, and we all know how to do the show, and we know what the show is. And so it’s not that exhausting anymore. The hours are long sometimes, and when we are working we don’t see our families as much as we want. But that’s part of our job, so we have to do it. And as far as Goren, bringing Goren home, that just doesn’t happen anymore. I’ve been playing him too long, and it’s – it’s not something that stays with me.
Q: When you guys first took on these roles, did you go into it knowing full well that this might become like a lifelong fulltime job … Law & Order franchise –
V. D’Onofrio Lifelong, huh?
K. Erbe I don’t think either of us thought that we were going to be doing it for eight years.
V. D’Onofrio No way.
K. Erbe No. They never would have gotten you to agree to that.
V. D’Onofrio No way. And the first – what did we do, we did 13 at first, Kate?
K. Erbe Right, yes.
V. D’Onofrio The first 13 was such a blur that I don’t think either of us was even thinking about – I don’t think it was – I don’t know, it wasn’t weighing heavy on me what was going to happen. Was it weighing heavy on you, Kate?
K. Erbe No. We had no idea. It was just getting through each day, really, trying to make it to the end.
V. D’Onofrio The first 13 scripts were really, really good scripts and maybe there was like one clunker out of the 13, but they were really good scripts and very tough to figure out how to pull the show off while we were doing them. The last thing on my mind was like – it was just a blur. I wasn’t thinking about whether the show was going to run, honestly. That’s the honest truth. And I think we knew earlier than most people do with a – when you shoot 3, right? I think we knew pretty early that it was going to go.
K. Erbe Yes.
New Question- Vincent had to repeat it as Kathryn couldn’t hear it.
V. D’Onofrio What do you like best about your character?
K. Erbe What do I like best about my character? What I like best about my character is she usually has the right thing to say. She knows what to say; she’s fairly straightforward and doesn’t seem to have difficulty making choices. Nothing like myself in real life. I rarely know the right thing to say and she seems to almost have infinite courage and she’s sort of like my fantasy of what it would be like to be like that – strong all the time and know what to do all the time and have a clear idea of what the right thing is to do and that sort of thing. So I like that about her. I like that she’s a strong woman in a tough job and a scary job. I think they’re both courageous. I think most of NYPD is very courageous. So that’s what I like about her.
Q I have one question for both of you regarding your roles outside of Criminal Intent. Out of all the work that you’ve done in movies, stage or whatever, what roles do you want to be remembered for, and which roles would you like to just kind of forget?
V. D’Onofrio A lot of them I’d like to forget.

Kathryn Erbe in Mighty Ducks 2
K. Erbe The Mighty Ducks 2.
Q: Vincent, what about you?
V. D’Onofrio Can I just say most of them?
K. Erbe You would not say that, you’re being sarcastic.
V. D’Onofrio Rather than name them? Because I don’t want to like insult the filmmakers.
Q: No, that’s okay. That’s all right.
K. Erbe Yes, I even feel bad that I even said Mighty Ducks 2, because some people liked that movie.
Q: That’s okay, I’ll delete it from my memory banks. But Kathryn, I do have one more question for you: Goren is always touted as being this unstable genius and the brains of the partnership, and sometimes you’re there to be like the dry witness conscience. Are you okay with this role, or do you think Eames deserves more respect?
K. Erbe Sometimes I get a lot to do, Eames has a lot to do, and sometimes she doesn’t. I’ve fought for the whole time for her to have more of an impact on the work that they’re doing, and it’s gone up and down. I like being the dry wit. I wish I actually did more of that these days. The humor has kind of gone out of the character and so I would like to find a way to bring that back.
Q: I think you guys need some more episodes like Vanishing Act.
K. Erbe Yes –
V. D’Onofrio Which one was that?
K. Erbe Was that the magician one?
V. D’Onofrio Oh, okay.
K. Erbe Was that the magician one? I think it was. I can’t Google it because I’m on my phone.
Q This is for both of you: What got you started in acting in the first place?
V. D’Onofrio I was introduced to it by my dad at a very young age, because he was always involved in community theater and stuff. So I used to run lights and sound and stuff like that for plays and things. But I really didn’t think of acting until I guess I was like 18, and then – I don’t know, it just – I just thought I’d try it out. I don’t really know why. I think it was just in my life, really. I think it’s my dad’s fault. So I just thought I would give acting school in New York, in Manhattan, a try, so I did. And then I guess I just caught the bug and went for it.
Q: I just wanted to follow up on some of the stuff you guys have been saying. Vincent, Kathryn said that if you’d known it was going to be eight seasons, they probably wouldn’t have been able to lock you into the character. Why – I guess I have to ask – how have the managed to keep you two on and interested for so long, especially you, Vincent? You’ve certainly looked for a lot of variety in your film roles. Is it a love of the characters or is it a comfort zone or are they writing you the big checks, or is it a combination of all three?
V. D’Onofrio For me it’s a combination of all three.
K. Erbe Yes, for me too.
V. D’Onofrio I have a lot of freedom because of Law & Order. I have a lot of creative freedom. I have a lot of creative freedom on the show and I have a lot of creative freedom with my own time to do other films and do anything I want, so – it’s a very good situation.
K. Erbe Yes, and it gives us a structure for our lives. I mean, as actors, I never – I was ready to give up acting because I could not handle never knowing when I would have a paycheck or where the job would be, where it would take me; and having a daughter and now my son, I just couldn’t – it was just too hard of a life. And this gives us a – when we have time off, we know that it’s time off; it’s not time out of work, looking for other work.
And it’s really such an amazing experience to work with the same people for this length of time. It’s challenging and it’s so gratifying to know everybody’s families and – it’s just a very different experience from the sort of crash and burn of going from one job to another and really never knowing – this like gypsy lifestyle, never knowing where you’re going to be when. So it’s a very different, much more stable, if it’s even possible to say that – a stable environment.
Q: You were just mentioning creative freedom. I was wondering, I know it’s been a couple of years now, but has moving to cable and the USA Network sort of freed the show up to do different things that they couldn’t necessarily do in the – at NBC?
V. D’Onofrio I don’t think so. I think it’s exactly the same, right?
K. Erbe Yes. Because they show them on NBC too, so –
V. D’Onofrio I think the only change that I know, I think there’s like a minute – the episodes are like a minute longer or something like that, something silly like that.
Q: All right. And we have an older interview with Eric Bogosian. I’m a big fan of his.
V. D’Onofrio Me, too.
Q: What’s he like to work with and is he going to be doing anything this season?
V. D’Onofrio He’s going to – yes, he’s doing lots.
K. Erbe Yes. We just got him out in the woods last night in the rain.
V. D’Onofrio We located a girl in the woods with the captain last night.
K. Erbe Yes. He comes out a lot more this season than he ever has, I think. He was wondering really why he wanted to do that, when we were standing out in the middle of the woods in the rain.
Q: I have another question for both of you: What kind of advice would you give to new young actors coming up as far as what kind of education they should get and how they should pursue an acting career.
K. Erbe What would you say, Vin?
V. D’Onofrio I think when I was younger I would have said go to like a private acting school or something like that, but I think that these days, the drama departments and the universities are so great that I think that’s the way to go.
K. Erbe Get an education.
V. D’Onofrio Get an education. Go into the drama department, whatever, film department, or just like the arts section of a university and – start there, study there. And then after that, go to the city you want to live in, like L.A. or New York and then try to be – then try to get jobs. Do theater and stuff. But when I was younger I would have said just go straight to the city and take an acting class and try to get jobs. But I think these days – I’ve been checking out universities and stuff and I know some teachers and some teachers that teach writing, film writing, and I know some drama teachers and – they’re all really good teachers, so – I’m swaying towards that now.
Q: Your characters have a pretty complex and interesting relationship. After all they’ve been through, what would you like to see happen between them during this season?
K. Erbe I personally am very happy because this season we’re back on the same page. I, for some reason, really like that, when they’re on the same team and they’re just on the path together. Although it makes for probably a more interesting show when we’re at odds or going in different directions, I personally like that; and this season we were working together.
Q: Vincent?
V. D’Onofrio Yes, I agree with Kate, what she said. I think there’s nothing left to argue about, really. I think it depends on what the writers come up with. If they can come up with another good conflict between us, then most likely it will be cool to do. But I agree with what Kate said.
Q: We’re just curious to know if you had a favorite episode or onscreen moment from the coming season so far.
K. Erbe I would have to say that in the episode that is going to be on Sunday night, Kathy Baker and Scott Cohen, their characters, when they were in the interrogation room at the end when she kind of grabbed him and –
V. D’Onofrio Oh, yes.
K. Erbe — pressed him to her – to her chest and tried to comfort him after screaming at him, they were fantastic. It was very twisted and – I mean, we’ve had a lot, but that one really sticks out in my mind.
V. D’Onofrio Yes. He turned into this big baby right in front of her eyes. It was awesome.
K. Erbe Oh, such a baby. Yes.
V. D’Onofrio It was really good. So I guess it was somebody else’s screen moment that we liked most.
K. Erbe I guess. Can you think of one that was ours?
V. D’Onofrio No, I can’t. I think you’re exactly right, that was very entertaining.
K. Erbe It was very entertaining.
Both Kathryn and Vincent responded that they have no interest in directing or writing an episode of LNO- their work acting in this show is enough though Kathryn may be interested in directing something else.
Q: Do either of you have any new, I guess, acting projects coming up?
K. Erbe You have lots, right, Vin?
V. D’Onofrio Lots?
K. Erbe You did like 17 films on the last hiatus – directed, starred.
V. D’Onofrio That’s good, I’ll talk about that. I directed a film over the summer, a kind of new genre that I invented, slasher musical. I just finished it, and we’re taking it to L.A. in a week to sell to a distributor, so it’ll probably be out sometime, I hope, soon. I have a movie, The Narrows, coming out, and a movie called Staten Island coming out that I acted in – both of those. And that’s all.
K. Erbe And I have a movie with Edie Falco and Elias Koteas called Three Backyards.
Q: Vincent, I have a question about the very end of the last season, after Vincent or Goren realized that his nemesis had been killed and it was for his benefit – do you know what I’m talking about? – and he’s sitting with that professor. And you kind of looked at the end, when he said, “I did it to free you,” basically, and you got that look on your face like, you got it. And I was wondering if we’re going to be seeing now in this season a change in you or a kind of a freeing in your character because of this action.
V. D’Onofrio It’s nice that you saw it that way, because that’s the way I wanted you to see it, so it’s – yes. I wanted it to kind of be a freeing thing so that I could treat the next season fresh, so it could be a guy trying to keep his stuff together, do his job; and so what’s interesting about this kind of storytelling is that we always have that – like, the audiences that watch our show, if they’re fans of the show, then they know that that’s part of the learning. So even if we don’t mention it or I just show this kind of earnest cop trying to do his thing throughout the season, the season previous to that or other things in the previous years, they’re still present, because people are fans of the show and they know that that’s the guy they’re watching that went through all that stuff. So, yes, that’s what I did, and that’s what I’m doing now.
Q: How do you feel about the new writing team this season? Are you pleased with your episodes?
V. D’Onofrio It’s tough to – always tough when we switch writers to – it’s all – these last eight years have been just experience after experience, learning experience after learning experience, and it’s quite a business. To be a performer on a television show, you get a lot of curve balls thrown at you and you have to deal with them, and you know that the show has to be shot so you do your best to contribute and make it the best show you can. But you get thrown curve balls, like a new writing crew, and – who have never written for you and they’re trying their hardest to get it right, and they’re in a position where they have to get it right fairly quickly, because there are shows to shoot and to air, and so it’s tough. It takes a while.
But the great thing about is that they’re all talented people and everybody’s scripts are getting better and better, and what we’ve been talking about for the last few minutes is these great things about this season already. So there have been some amazing things already this season. But it’s tough. It’s tough to get new writers. And they’re great people and so we’re – this show is – this last show that we did was great, and it’s a good season so far, so we’re happy.
K. Erbe Yes.
Q: The show seems to have completely dropped the law end of it, is that ever coming back? Or has it just kind of gone by the wayside?
K. Erbe We miss Courtney. ( Courtney B Vance- recently seen on ER) But we haven’t been in court at all this year, not once. I didn’t even think about that.
V. D’Onofrio No, it’s been just straight out catch the bad guy, political – we’ve been involved in politics of big corporations and stuff like that. It’s that kind of season. But we haven’t been – no, I think we do less of the law part, I think you’re right. I mean, as you know, it never really focused on that very much anyway, but – one of the cool things about having an ADA in the show is that you have to actually answer to somebody. Because there’s this kind of tension between the captain and the two detectives, but there’s a certain kind of tension between the detectives and the assistant district attorney and that’s fun to play. So we don’t get to do that often anymore.
K. Erbe Yes.
J. Ruby I just want to ask Vincent, what’s the name of your slasher musical, so we can look out for it?
V. D’Onofrio It’s called Don’t Go in the Woods.
Q Okay, that sounds interesting.
K. Erbe It is. It’s very good.
April 2009
Law & Order: Criminal Intent -USA NETWORK
Kathryn Erbe, Eric Bogosian also out
as Jeff Goldblum takes over.
By Elizabeth Guider and Roger Friedman
Sept 24, 2009, 11:00 PM ET
"Law & Order: Criminal Intent" is planning dramatic cast changes for next season, with four regulars, including star Vincent D'Onofrio, departing.
D'Onofrio is expected to exit sometime during the series' upcoming ninth season, handing over his badge to Jeff Goldblum as the top detective on the major case squad.
Kathryn Erbe, who, like D'Onofrio, has been with the show since its beginning and plays his long-suffering partner Alex Eames, also will be phased out, as will Eric Bogosian, who plays the force's captain, Danny Ross.
As previously reported, Julianne Nicholson, who played Goldblum's partner but has just had a baby, her second, also is leaving. She's being replaced by British actress Saffron Burrows.
Details about D'Onofrio, Erbe and Bogosian's exit are still unclear as the actors' deals are being worked out. The network only recently renewed the Wolf Films/Universal Cable Prods. series for a ninth season, slated to premiere in late spring with a two-parter.
Creator and executive producer Dick Wolf has long said that it is the stories, and not the actors, that form the core attraction of his "Law & Order" franchise.
Yet, like Sam Waterston on the original "L&O," D'Onofrio has long been identified with "Criminal Intent" and has helped set its tone as Det. Robert Goren. His trademark gesture, the in-your-face tilt of his head when he interrogates criminals, is a highlight of each episode, as is his encyclopedic knowledge of the arcane that often helps in fingering the suspect.
But, after originating on NBC, "L&O:CI" migrated to sibling USA, which has put together a cluster of dramas that are lighter in tone and subject matter and have more quirkily upbeat characters, as in "Monk," "Psych" and "Burn Notice."
Goldblum, who brings an easy eccentricity to most of his work, is more in the tradition of Tony Shalhoub's "Monk" than D'Onofrio's brooding and tortured Goren.
Additionally, cost savings always factor in production equations these days, with long-standing actors on a show, like D'Onofrio and Erbe, pulling in substantially more than more recent additions.
The sweeping cast changes on "CI" resemble the 2003 shakeup on ABC's "The Practice" when several key actors, including lead Dylan McDermott, Lara Flynn Boyle and Kelli Williams, were let go as a way to slash production costs.
The "CI" changes also represent the biggest shift so far for a show that has seen a number of faces come and go since it began in 2001. For several years, Chris Noth, who played detective Mike Logan, has alternated with D'Onofrio in the top role. He exited the Wolf fold at the end of the 2008 season and is now recurring on the CBS freshman series "The Good Wife."
While D'Onofrio is departing as a regular, it is possible for him to reprise his character in guest stints.
Elizabeth Guider reported from Los Angeles; Roger Friedman reported from New York.
It is sad to see that Vincent and Kathryn will no longer be on Criminal Intent but I am looking forward to their continued presence in Movies.
Cross fingers we may see Vincent go back to the stage, wouldn't that be great if we were able to see him LIVE on stage.
MORE NEWS...
NEW YORK (Hollywood Reporter) - It's shake-up time for "Law & Order: Criminal Intent."
Sources from the "L&O" galaxy say that stars Vincent D'Onofrio, Kathryn Erbe and Eric Bogosian are expected to be phased out at various points during the series' upcoming ninth season.
Julianne Nicholson already has departed because she is having a baby. Executive producer Dick Wolf is turning to Jeff Goldblum, who joined the cast last season, to remain as lead detective in the series, along with Saffron Burrows, who was recently cast to replace Nicholson as Goldblum's partner.
It's a big change for a show that has weathered a lot of casting shifts since it began in 2001. D'Onofrio and Erbe have been there since the beginning, and Bogosian joined in 2006. Since then, the original pair have had to make room for Nicholson and Chris Noth, who left last year. Goldblum arrived in 2008.
D'Onofrio has been popular in his role. But "L&O:CI" is a USA Network show, after running on sister channel NBC. And USA, insiders point out, prefers lighter fare. Compared with D'Onofrio, Goldblum is more in the tradition of Tony Shalhoub's comic-dramatic "Monk."
Details about D'Onofrio, Erbe and Bogosian's exits are still unclear as the actors' deals are being worked out. It's possible that D'Onofrio will reprise his character in guest stints.
The network only recently renewed the series for a ninth season, slated to premiere in late spring with a two-part episode.
(Editing by SheriLinden at Reuters)
IMDB site for Vincent >Detective Robert Goren (131 episodes, 2001-2009)
Paul Sorvino talks about his role in the movie.
His role in Thumbsucker and his acting methods.
http://au.movies.ign.com/articles/652/65
by Jeff Otto
US, September 19, 2005 - "When you're acting, it should be the most important thing that's going on. But when you're not, leave it alone…"
This is the mantra that Vincent D'Onofrio lives by. His focus has enabled him to become one of the top actors of his generation. Many outside of the industry may not even know his name. He's that good, a chameleon from role to role. His first feature was an unforgettable part as "Pyle" in Stanley Kubrick's Full Metal Jacket. He was the psychopathic killer in The Cell, a role which the actor admits still gives him nightmares. TV fans may best know D'Onofrio from his role on the series, Law and Order: Criminal Intent.
If there is a single word used by both fans of his work and even co-stars, it's intense. D'Onofrio approaches each of his roles with the utmost focus and determination. He's a method actor, a segment of the acting populous that is often seen as mysterious and un-approachable.
During the course of IGN FilmForce's interview with D'Onofrio, we attempted to dispel the actor's "mysterious" methods as well as discuss his latest role, opposite Tilda Swinton and Lou Pucci in director Mike Mills' Thumbsucker.
D'Onofrio says that he has always chosen his parts based on what would offer him the greatest challenge. Playing the father, Mike Cobb, in Thumbsucker, was no different. "It's something that I've been saying for years when people ask me how I pick the things that I do. I pick the things that scare me the most… You have to like the story first… I'm not gonna play a part that doesn't instill some kind of fear in me. If I read a part, and suddenly, I'm thinking halfway through, 'I'm not sure I could get away with this…' [I think of] everything I can think of to keep me from doing it, that's the one I should do..."
Playing "the father" in a film could be a relatively forgettable part, but D'Onofrio brings a reality to the character that stays with audiences. "It was through the route of being a man. I am a man and I deal with these issues every day of my life. I am still trying to figure out who I am and I am still trying to live with the parts that I have figured out. It's not a far stretch from that… So, this guy, there are things in my life that are very hard to deal with, as they are for that character in the film… When you have children, you have to make sure that you're raising them correctly, obviously, but you make so many accidents, obviously, that it can make you wonder, it can make you start to rate yourself as a parent which is not a very good thing to do…"
- Sony Pictures Classics
D'Onofrio in Thumbsucker
First time director Mike Mills allowed his actors to improv develop many of their scenes. "We got to know each other through those improvisations. There were times when the camera was rolling that I would look at Lou and there would be no difference between him and my daughter. There would be no difference between how I listened to him and how I listen to my daughter…
"[Mike Mills] was very impressive. I still don't know where he got his ability… Just considering a guy like Lou, he's the one that had the least experience on the movie, and he's like a little powerhouse in himself, the way he locks onto things and how open and brave he is… The fact that he was able to let us have the freedom, let us be brave, like I said, and be open and go all these places and yet still have the ability to direct us, I don't know where he learned that. I don't know if you can learn that. I just think it's something that you know how to do [and] I was very impressed by him…"
As previously mentioned, Vincent D'Onofrio is a method actor. This is a term we often hear mentioned, but few know the meaning behind it. "I am a method actor, but I'm also a film actor as well as a method actor… Characters that don't have humility, whether they are heroes or villains, are hard to relate to. All characters in every aspect of what we do should have humility. If they don't, then they're a cartoon character. I know that during actual performance scenes, what I need to trigger myself off, and I know how to trigger it off so that it will trigger you off, which will also influence how you feel when I'm expressionless…"
We've heard reports of method actors seeping deep into a character, taking the character home and being haunted by that character's actions for months. D'Onofrio laughs a bit at this idea. "No, it's not that romantic. I'm not that romantic of an actor. The thing is, it's the research that you do that is exhausting. That's what always affects you. When I did The Cell – no matter what you think of that movie, because I have my opinions of it too – it was, you know, I still have nightmares from the research that I did. Not from playing the part, just from the research. There was stuff that I should have never looked at, [that] I should have never gone anywhere near. As a father, I can't imagine going to that place again. I'm not saying I wouldn't, I'm just saying it was too much…
"Acting is not a mystery. There's nothing that I know that other actors don't know. We all act, we're all actors, we all know the same thing. The only thing that separates us is experience. Acting can't creep up on you from behind without you knowing. It can't. It's not a ghost, it can't suddenly embody you without your control. It's not that romantic, I'm telling you, it's a job, you know? You set out to do things [and] the harder you work, the more you gather, the more you have to throw away and the more you're left with that comes the part…
"A lot of that stuff is misunderstood. I'm not gonna make excuses for other actors. I'm just talking about myself… The good actors that I've met – I've met some of the best actors that we'll ever see – and I know for sure the one thing that we all have in common when we all look in each other's eyes, is that we're all struggling to achieve 100 percent… That's all I see when I see another artist…"
"All of us are trying to achieve 100 percent in our work. That's all we struggle to do… We never do, but we never stop trying until the day we die… It's that struggle to achieve 100 percent, that's where our performance lies, that's what the audience gets. They get the struggle…"
Up next for D'Onofrio is a role opposite Vince Vaughn and Cole Hauser in the comedy The Break Up. "I've done three films with [Vince] now. Would I have gone out and searched for a film like The Break Up? No, I wouldn't have. But because we talked about it and it's Vince and the opportunities were there to be had, you know, [and] I showed up. It's not often when that happens. Not a lot of favors happen in this business.
"Cole Hauser and I, the three of us play brothers… We own a bus tour company in Chicago. Quite a ridiculous movie. That's all I can say… And it some funny s**t. There is a dinner scene in that movie with Ann-Margret, Michael Higgins, Vince's dad actually, Vince Vaughn, Jennifer Aniston, me, Cole Hauser… It is ridiculous… Michael and myself and Vince, we just, you give us the opportunity and…it was fun…"
D'Onofrio also recently completed a short that was entered in the Venice Film Festival on Orson Welles. Some may remember that D'Onofrio played Welles once before in Tim Burton's Ed Wood. "There is a connection. I never was happy with the job I did in Ed Wood. Even though Tim was, I wasn't… Because it's not what I wanted, it's not what I wanted. First of all, the company, for whatever reason, not Tim, but the company took a very long time to hire me and I was busy doing another project. I eventually only ended up with three weeks to prepare for it and that bothered me. But you know, I had to be brave and I had to do it the best I could. It was too much of a caricature. I didn't like it. It was too surface of a performance…
"This is very in-depth. It's during The Third Man… You'll get a chance to see it because it's doing really well. It's called Five Minutes Mr. Welles and it takes place in the bungalow at Shepperton Studios during the shooting of The Third Man just before the ferris wheel scene."
Interview: Vincent D'Onofrio
His role in Thumbsucker and his acting methods.
http://au.movies.ign.com/articles/652/65
by Jeff Otto
<A HREF="http://de.ign.com/event.ng/Type%3d
US, September 19, 2005 - "When you're acting, it should be the most important thing that's going on. But when you're not, leave it alone…"
This is the mantra that Vincent D'Onofrio lives by. His focus has enabled him to become one of the top actors of his generation. Many outside of the industry may not even know his name. He's that good, a chameleon from role to role. His first feature was an unforgettable part as "Pyle" in Stanley Kubrick's Full Metal Jacket. He was the psychopathic killer in The Cell, a role which the actor admits still gives him nightmares. TV fans may best know D'Onofrio from his role on the series, Law and Order: Criminal Intent.
If there is a single word used by both fans of his work and even co-stars, it's intense. D'Onofrio approaches each of his roles with the utmost focus and determination. He's a method actor, a segment of the acting populous that is often seen as mysterious and un-approachable.
During the course of IGN FilmForce's interview with D'Onofrio, we attempted to dispel the actor's "mysterious" methods as well as discuss his latest role, opposite Tilda Swinton and Lou Pucci in director Mike Mills' Thumbsucker.
D'Onofrio says that he has always chosen his parts based on what would offer him the greatest challenge. Playing the father, Mike Cobb, in Thumbsucker, was no different. "It's something that I've been saying for years when people ask me how I pick the things that I do. I pick the things that scare me the most… You have to like the story first… I'm not gonna play a part that doesn't instill some kind of fear in me. If I read a part, and suddenly, I'm thinking halfway through, 'I'm not sure I could get away with this…' [I think of] everything I can think of to keep me from doing it, that's the one I should do..."
Playing "the father" in a film could be a relatively forgettable part, but D'Onofrio brings a reality to the character that stays with audiences. "It was through the route of being a man. I am a man and I deal with these issues every day of my life. I am still trying to figure out who I am and I am still trying to live with the parts that I have figured out. It's not a far stretch from that… So, this guy, there are things in my life that are very hard to deal with, as they are for that character in the film… When you have children, you have to make sure that you're raising them correctly, obviously, but you make so many accidents, obviously, that it can make you wonder, it can make you start to rate yourself as a parent which is not a very good thing to do…"
- Sony Pictures Classics
D'Onofrio in Thumbsucker
First time director Mike Mills allowed his actors to improv develop many of their scenes. "We got to know each other through those improvisations. There were times when the camera was rolling that I would look at Lou and there would be no difference between him and my daughter. There would be no difference between how I listened to him and how I listen to my daughter…
"[Mike Mills] was very impressive. I still don't know where he got his ability… Just considering a guy like Lou, he's the one that had the least experience on the movie, and he's like a little powerhouse in himself, the way he locks onto things and how open and brave he is… The fact that he was able to let us have the freedom, let us be brave, like I said, and be open and go all these places and yet still have the ability to direct us, I don't know where he learned that. I don't know if you can learn that. I just think it's something that you know how to do [and] I was very impressed by him…"
As previously mentioned, Vincent D'Onofrio is a method actor. This is a term we often hear mentioned, but few know the meaning behind it. "I am a method actor, but I'm also a film actor as well as a method actor… Characters that don't have humility, whether they are heroes or villains, are hard to relate to. All characters in every aspect of what we do should have humility. If they don't, then they're a cartoon character. I know that during actual performance scenes, what I need to trigger myself off, and I know how to trigger it off so that it will trigger you off, which will also influence how you feel when I'm expressionless…"
We've heard reports of method actors seeping deep into a character, taking the character home and being haunted by that character's actions for months. D'Onofrio laughs a bit at this idea. "No, it's not that romantic. I'm not that romantic of an actor. The thing is, it's the research that you do that is exhausting. That's what always affects you. When I did The Cell – no matter what you think of that movie, because I have my opinions of it too – it was, you know, I still have nightmares from the research that I did. Not from playing the part, just from the research. There was stuff that I should have never looked at, [that] I should have never gone anywhere near. As a father, I can't imagine going to that place again. I'm not saying I wouldn't, I'm just saying it was too much…
"Acting is not a mystery. There's nothing that I know that other actors don't know. We all act, we're all actors, we all know the same thing. The only thing that separates us is experience. Acting can't creep up on you from behind without you knowing. It can't. It's not a ghost, it can't suddenly embody you without your control. It's not that romantic, I'm telling you, it's a job, you know? You set out to do things [and] the harder you work, the more you gather, the more you have to throw away and the more you're left with that comes the part…
"A lot of that stuff is misunderstood. I'm not gonna make excuses for other actors. I'm just talking about myself… The good actors that I've met – I've met some of the best actors that we'll ever see – and I know for sure the one thing that we all have in common when we all look in each other's eyes, is that we're all struggling to achieve 100 percent… That's all I see when I see another artist…"
"All of us are trying to achieve 100 percent in our work. That's all we struggle to do… We never do, but we never stop trying until the day we die… It's that struggle to achieve 100 percent, that's where our performance lies, that's what the audience gets. They get the struggle…"
- Sony Pictures Classics
From left to right, Lou Pucci, D'Onofrio, Tilda Swinton
Up next for D'Onofrio is a role opposite Vince Vaughn and Cole Hauser in the comedy The Break Up. "I've done three films with [Vince] now. Would I have gone out and searched for a film like The Break Up? No, I wouldn't have. But because we talked about it and it's Vince and the opportunities were there to be had, you know, [and] I showed up. It's not often when that happens. Not a lot of favors happen in this business.
"Cole Hauser and I, the three of us play brothers… We own a bus tour company in Chicago. Quite a ridiculous movie. That's all I can say… And it some funny s**t. There is a dinner scene in that movie with Ann-Margret, Michael Higgins, Vince's dad actually, Vince Vaughn, Jennifer Aniston, me, Cole Hauser… It is ridiculous… Michael and myself and Vince, we just, you give us the opportunity and…it was fun…"
D'Onofrio also recently completed a short that was entered in the Venice Film Festival on Orson Welles. Some may remember that D'Onofrio played Welles once before in Tim Burton's Ed Wood. "There is a connection. I never was happy with the job I did in Ed Wood. Even though Tim was, I wasn't… Because it's not what I wanted, it's not what I wanted. First of all, the company, for whatever reason, not Tim, but the company took a very long time to hire me and I was busy doing another project. I eventually only ended up with three weeks to prepare for it and that bothered me. But you know, I had to be brave and I had to do it the best I could. It was too much of a caricature. I didn't like it. It was too surface of a performance…
"This is very in-depth. It's during The Third Man… You'll get a chance to see it because it's doing really well. It's called Five Minutes Mr. Welles and it takes place in the bungalow at Shepperton Studios during the shooting of The Third Man just before the ferris wheel scene."
Vincent D'Onofrio has appeared in.
- Mood:
cheerful
What is Jeff Goldblum doing on Law & Order?
By Nathan HellerPosted Thursday, June 25, 2009, at 9:26 AM ET
Slate Magazine
Hardworking American, you are having a bad day. You dropped your cell phone in the sink this morning, used the bleach detergent on your colored laundry, got sneezed on while waiting at the drugstore checkout. If ever a person deserved an hour of mindless television, you are that person. You sigh. You wake your DVR. You call up Law & Order: Criminal Intent. Zoned out with New York's finest, swaddled in your favorite couch pillows, you feel, at last, protected from the day's unkind surprises. Or do you? Something weird is happening on your screen. You blink, then double-blink. You wonder: What is Jeff Goldblum doing on my show?
That is the question millions of Americans asked, or should have asked, beginning earlier this spring, when Goldblum replaced Chris Noth on the eighth season of the crime procedural. The question has an easy answer: Goldblum plays Detective Zack Nichols, a wily shamus with a murky past who serves justice and limp wisecracks to the city's worst criminal offenders. But that is not a satisfying response. The real question is what Jeff Goldblum, a guy who cannot for the life of him come off as a gritty, self-serious human being, is doing in the citadel of gritty, self-serious human beings. And why is he smirking? What's so funny? To see Jeff Goldblum on the screen these days is to be confronted by a topsy-turvy version of the show you planned to watch.
We all know Goldblum is a quirky guy. But it's rare that quirkiness is so starkly at odds with its surroundings. Law & Order has existed in one flavor or another for just short of 20 years; the recipe is as golden as a Wonka chocolate bar and basically unchanged since the ascendancy of Hammer pants. Our overcoated heroes beat the New York pavement in pursuit of heinous criminals, trawling from lavish townhouses to grim walk-ups and keeping countless coffee carts solvent along the way. Criminal Intent is the series' most eccentric flavor, blending a high tolerance for idiosyncrasy (Vincent D'Onofrio's Detective Robert Goren gets more fitful, obsessive, and shabby-looking with each season) with a low attention span for jurisprudence. But Goldblum exceeds even these allowances. The latest season doesn't come across as Law & Order with Jeff Goldblum cast as a police dick. It comes across as an oblique, high-irony parody of Law & Order with Jeff Goldblum playing both the premise and the punch line.
Nichols has shown a disdain for psychiatry due to his upbringing. Will that be explored more this season?
Jeff: There was one case where the perpetrator is a psychiatrist, and that's probably as much as you'll see on the surface this season. But I know that they're interested in introducing a father at some point because he's around and that's a big part of my character's inner life. Nichol's mother was a shrink, too, and she's still around as well. If we do more [episodes] we'll probably find out a bit more about them.
I'll add the rest of the article later...its a little late now and the brain is dozing.

========================================
is a long running crime drama that explores the motivations behind crimes.

Starring Vincent D'onofrio and Kathryn Erbe on USA Network.
Detective Bobby Goren (Vincent D’Onofrio) portrays the often strange and quirky genius detective, who can get inside the minds of criminals with his understanding of human nature and his own chaotic family upbringing. Detective Eames (Katheryn Erbe) portrays the senior officer and partner to Goren who understands and respects her sometimes difficult partner.
Detective Robert Goren went through some particularly dark storylines in season seven, including a stay in an abusive mental institution, the search for his nephew, the death of his derelict brother and a dramatic conclusion in which he was framed for the murder of his nemesis.
When asked what kind of effect the dark storylines have on him personally, D’Onofrio replied that it was hard for the first three of four years, when they were trying to make Criminal Intent distinct from the other Law and Order Shows, because it was like a 24 hour job. He went on to say that that was a long time ago and now the show is not so exhausting anymore. The hours can be long but that is part of the job. D’Onofrio stated that he just doesn’t bring Goren home anymore. The character no longer stays with the actor.
Also taking part in the Q&Q session were: Jamie Ruby [Media Blvd], Jamie Steinberg [Starry Constellation], Julie Kissane [popculturemadness.com], Christine Nyholm [Examiner], Joshua Fulghum [totallyher.com], Troy Rogers [thedeadbolt.com], and Zach Oat [televisionwithoutpity.com].
J. Ruby: I actually am not that far from Pittsburgh myself so I’m curious, since I’m interested in it, too, how did you get started in acting?
J. Goldblum: Hello to you from almost Pittsburgh. I always wanted to do it; my parents took us to see some children’s theater I remember, early on at the Pittsburgh Playhouse. Even though I was very little I got kind of the bug. I was very excited being around theater and wondered what are those actors doing backstage and I was very excited about it.
And then there’s this thing in Pittsburgh, I think it’s still going on. It’s at Chatham, Music Day Camp it’s called; in the summers for six weeks between fifth and sixth grades and another year, maybe the year before that, too, during the summers I had the most magical time ever going to this thing and going from softball to arts and crafts and piano. I already had started playing piano then to this drama course. At the end of this drama course actually I took part in this recital and my father, my parents had already wisely said if you find something you love to do that might be a key to your vocation. After this show they cast me as this kind of lead in this funny little show and after that I had such an exhilarating time of it I remember, they were there. They said, “How did you like that?” I was like yes, that was really something and I kept it secret to myself just how much I loved it, but I think from that time on around fifth grade I thought to myself that’s what I want to do.
Then between ninth and tenth and tenth and eleventh grades I went to Carnegie Mellon University and they had six-week sessions for people and I remember looking through the catalog with my parents. They said, “What do you want to do?” There was art and I had painted and taken some art classes and had some talent in that. And I was playing piano. They said, “What do you want to do, this music program here? Do you want to do the art program?” I was like, “What if I did the one for actors?” It had kind of been a secret.
And so I did that, fell wildly more in love, several steps down the road in my soul and heart and blood and system toward being obsessed with and convinced and passionate about being an actor. That kind of stuck and then right after high school went to New York when I was still 17, just before I turned 18 and joined the Neighborhood Playhouse with Sandy Meisner, the great acting teacher, where he was still teaching. That’s how it all started. I started to do plays and movies and like that.
J. Steinberg: You’re known for your dramatic roles and also for your dry sense of humor. I was wondering why you chose to be on Law & Order: Criminal Intent. Do you at least get to express some of your sense of humor while you’re doing the show?
J. Goldblum: Yes, such as it is. Maybe I’m funny sometimes, maybe not so funny other times, but yes. They actually write, Dick Wolf has been fantastic, kind, cordial and brilliant, I think. And they have a brilliant staff of writers and producers and they have intendingly built a part that is suited for some of the things that I like to do and can do. That’s what they’ve tried to do and after seeing the first episode that was aired I think there’s some humor in there. Along with the solving the crime and the very passionate part of this character and serious part of the character, I think there’s some humor in it; I’m enjoying some of the funny parts of it.
S. Wiebe: Hello, Jeff, I just want to say first I’ve been following your career since Tenspeed and Brown Shoe and enjoyed practically everything you’ve ever done. Detective Nichols seems to work from an observational point of view, where he’s working on motivations more than just the facts. So he’s kind of a bit intuitive. How would you describe your character if you were actually Nichols describing the character?
J. Goldblum: I’ll take a crack at it. Yes, I think you’re right. I am an intuitive fellow. Of course people know that both my parents were shrinks so I was sort of raised in an atmosphere where there was that interest in the human mechanism and the human psyche and what makes people tick. And yes, I think I’m particularly creative and adventurous and improvisational and spontaneous in my inner impulses and patterns and deeply curious and appetized in the unfathomably mysterious and delicious phenomena that is the human being and who we really are.
And why certainly people go off the rails and commit murder here in New York City, that interests me particularly, and oftentimes I find it’s a mistake of identity and having their ego built around mistakenly and their sense of identity built around some aspect of form, if you will, in their lives, either their careers or their reputations or their bank accounts. That mistake gets them into trouble and they wind up doing risky and awful things in order to pursue that mistaken notion and defend it and help that survive. It’s a bad, but not uncommon disease of the psyche that I find results in murder sometimes. I’m a humble student of that whole subject.
J. Kissane: You actually touched on this before, that you are a skilled piano player. Were you nervous when you were being filmed during a scene where you got to play the piano in an episode?
J. Goldblum: I don’t know how skilled I am, but I did take lessons. Our parents gave us music lessons early on in Pittsburgh and I took to it and loved it. I kind of guess it’s a hobby of mine. I’ve always played piano … I decided on being an actor, I played the ragged cocktail lounges here and there, a couple of jobs while I was still in high school in Pittsburgh and then have always had a piano where I am, where I live and now where I work, too. I just love to play all the time. For the last several years I’ve had a jazz band called the Mildred Spitzer Orchestra in Los Angeles and when I’m off work we book ourselves into places and play gigs around town.
Then, yes, they knew about it a little bit and worked it into the character so my character, Detective Nichols, is able to play a bit and in these couple episodes, one that you saw already, maybe that first episode, and there’s another one where I play. No, I’m not particularly nervous. I get excited and I got excited about it, but I always was sort of thrilled to play. Even when I play gigs these days I have no career aspirations or no fear of criticism. I really do it because I love to do it. Whenever I do it I love to do it, so it was particularly enjoyable for me having it be part of a scene or two.
C. Nyholm: Touching back on expansion of your first question I’m just wondering what you advise young actors today if they wanted to get into the field of acting. How would you start and where would you go?
J. Goldblum: Very good question, advice to, you know I teach, for the last, I’m a humble student of acting myself and part of that studentship is teaching, in fact, I feel like I learn a lot from it. I just love doing it; I could teach every day. I haven’t done it for a while because I’ve been working so often, but one of the things I feel like is relevant and practical to tell my students sometimes, and anybody interested in getting into it, is to, well I like what Stanislavsky said. He said, “Love the art in yourself; not yourself in art.”
So in fact you can begin to discover and investigate whether you are an actor or not, whether you’re in my view, qualified for a life in this profession or in this endeavor by checking yourself out and acting every day, getting plays and scripts and getting together with people and divvying up the parts and acting in one way or another, or writing things. But an actor wants to get up every day and they can’t think of anything particularly more fun to do than getting into a made-up situation and living it out as if it’s real. And having people watch it perhaps and thereby telling those people a story, by acting out these characters in a story. That’s what actors want to do; they don’t necessarily want to be famous or rich or anything else. It’s a very bad gamble if that’s what you’re after. But if your heart is wildly in it so that you can’t think of anything else that could possibly make you happy or happier than getting up every day and acting, playing this crazy game that you make something up and playing pretending as if that’s true; if that’s for you you should start to do it.
And it’s not rocket science. There are a lot of books about it. I had a great teacher, Sandy Meisner, and there’s a book that he wrote kind of chronicling a class that he, his two-year program takes you through. And you can learn many things, but it’s really doing it. If you have a feeling to do it that’s what you might do. And that’s what you start to do. If you make acting a part of your daily life, first of all, that’s a satisfying end in itself. But you might find that you start to get good at it and opportunities may come. If you’re of that sort of temperament you may investigate how to study formally and pursue the profession if that’s of your temperament and all of that.
But I’d say start to act; be a fan. See if you’re a person who loves, is a fan of and a lover of it, a devotee of literature, of material and you say, “I’ve got to do that.” Then start to do it anywhere you can that’s what I would say.
J. Fulghum: It’s an honor to speak with you today.
J. Goldblum: It’s a greater honor for me. That’s a line from a movie; do you know what movie that’s from?
J. Fulghum: Not right off hand.
J. Goldblum: A Woody Allen movie, Love and Death. “It’s a greater honor for me. No, it’s a greater honor for me. No, you must be Don Francisco’s sister.” Yes, that’s from Love and Death. But in fact it’s a greater honor for me.
J. Fulghum: Throughout your career you’ve starred in movies that feature incredible and even monstrous creatures like Jurassic Park and Incident at Loch Ness. Do you have any interest in cryptozoology, which is the study of hidden animals?
J. Goldblum: Not particularly. I don’t have much of an interest in Big Foot or the Loch Ness Monster or dinosaurs that actually might be running around, no. I’ve never heard anything credible that would make me think that any of that stuff actually exists. Even though I love playing in those stories including the dinosaurs, no, in real life I’m not particularly interested in Big Foot or the Loch Ness monster.
T. Rogers: How would the Jeff Goldblum of 20 years ago approach Zach Nichols?
J. Goldblum: Jeff Goldblum 20 years ago might have been, but I was playing that Tenspeed and Brownshoe so I would have been the actor involved perhaps, this is hopefully I wouldn’t have any business with doing anything wrong that would have gotten me involved in a guy who’s investigating murders. But I’ve always been involved with crime stories and if I had been, for instance 20 years ago not inconceivably involved in a part where I might have been playing a detective like this I would have been very interested to talk to Zach Nichols, who’s ostensibly a real and a uniquely brilliant detective, for research purposes.
Here on our set, Criminal Intent we’ve got a guy like that, so the current Jeff Goldblum can talk to this fellow Mike Struck who’s a brilliant real-life detective. I love hearing all his stories and he’s on the set when we do our stories here and he tells us what’s real and if he were playing the part and he were in the actual situation what he’d be thinking, what he’d be doing, how he’d be doing it, and that’s thrilling and fascinating to me. So that’s how I can imagine Jeff Goldblum of yore talking to Zach Nichols if he were real.
Z. Oat: I’m a big fan of Raines and I don’t know if this has been touched on already, but were you disappointed when the show got cancelled and did that influence you at all in considering this part on Law & Order?
J. Goldblum: Let’s see, I have a very, at this point maybe I have a philosophical approach that allows me here and there to be satisfied with whatever happens, believe it or not. Yes, I have my ups and downs and I can be disappointed in one thing or another, but generally speaking whatever happens I will mostly, and you can, it’s not strange to think to look at my life and go, “You’re a lucky guy,” and to mostly feel incredibly grateful. So even during a period when for instance Raines came and Raines went, I just felt incredibly grateful. If they had told me in fact that Raines would have been a six, seven-part miniseries I probably would have signed up and been very happy to do it like that too. I would have been very happy. But I’m always interested in the unexpected and know that things, especially in show business, but in life generally, are inevitably fleeting to one extent. It may be short, it may be long, but there’s no such thing as long. I think all of life is a fleeting proposition, so I’m sort of happy with whatever comes and goes in fact. And I think in loss and in the goings is sometimes the greatest opportunity for expansion.
Anyway, in another way it did give me, it whet my appetite for more cop parts, it’s true, and even before I did Raines I did this … show called The Pillow Man, where I played a detective, a homicide detective in fact. And I had a great time doing that. It was this Mike McDonough play and I was in it with Billy Crudup and Zeljko Ivanek and we had a great time for six months at the Booth Theater in New York. After that I was still very appetized when Raines came along, and after Raines, to do this, and there was sort of some kind of appetizing continuum for me in those things, that’s right.
J. Ruby: So out of all the roles you’ve played, because there’s been a lot, what’s been your favorite and why?
J. Goldblum: My favorite and why. Maybe it’s because I’m trying to get better and I feel like I am, but I currently am pretty in love with this part that I’m doing now. Then I’ve got a couple of, I like the parts at the stage when they’re at the stage of development, so I’m doing a couple more movies right after this, this summer, one called The Baster with Jennifer Aniston and Jason Bateman, and I’m at the stage where I’m rehearsing it and trying to figure out who the character is and what the part is, and I kind of love that. And then I’m doing this movie with Harrison Ford and Diane Keaton and Rachel McAdams called Morning Glory right after that, and I’m a bit in love with that. I think you have to be. That’s part of the criteria and qualification for taking a part. It has to be a passion and something you’re in love with.
But besides that, having said all that, I did love very much Adam Resurrected that I did this last year with Paul Schrader directing that Willem Dafoe was in and it was a wonderful movie and experience for me. I loved doing that movie, Pittsburgh that I think you can still get on NetFlix, a very handcrafted affair that I sort of cooked up over several years. Besides that, holy cats, many things that I could think of, but those are a few that come to mind.
Sheldon A. Wiebe
Hollywood Insider
April 29th, 2009.
I must say interviewers get their monies worth when they interview Jeff, he always has a comment.
Nashville Film Festival 2009
– An Interesting Experience!

Playing Dead S8:1
While Law & Order: SVU and L&O: Original Recipe have been getting on my nerves lately by veering into ridiculous territory, Criminal Intent has always had one foot in the bizarre, thanks to the constant hulking presence of part-genius, part-madman Det. Robert Goren. In last season's finale, Goren's world crumbled around him, so I'm looking forward to seeing him pull himself together in the new season, especially now that he'll be trading nights with Jeff Goldblum. ("Chris Noth... out!") Vincent D'Onofrio and Kathryn Erbe, who plays Goren's partner Eames, held a conference call to promote the new eighth season, and we got some quirky details out of them.
Vincent, after the events of last season's finale, where we discover that Goren's nemesis Nicole Wallace killed Goren's brother, that Goren's mentor Declan Gage has killed Wallace, that Goren's dad was a serial killer and Goren's nephew is missing... what is your character's mental state at the beginning of the season? Has he been affected by all of this, or is he resigned to everything that's happened?
Vincent D'Onofrio: I think that this eighth season, I played it differently than last season. Last season was very, very extreme, so this season, it's like he's just trying to be a cop, trying to do the best you can kind of a thing.
So will we be revisiting any of those storylines any time soon?
D'Onofrio: I don't think so, no. That was a certain set of writers that were doing that, and we were enjoying that with them. And then we've had another set of writers since then, so -- that's not going to happen again, I don't think.
Kathryn Erbe: Yes. It's sad.
How do you feel about the new writing team this season?
D'Onofrio: It's always tough when we switch writers. To be a performer on a television show, you do your best to contribute and make it the best show you can. But you get thrown curve balls, like a new writing crew, who have never written for you, and they're trying their hardest to get it right, and they're in a position where they have to get it right fairly quickly, because there are shows to shoot and to air, and it's tough. It takes a while. But the great thing about it is that they're all talented people, and everybody's scripts are getting better and better, and there have been some amazing things already this season. This last show that we did was great, and it's a good season so far, so we're happy.
Kathryn, Goren is always touted as being this unstable genius and the brains of the partnership, and Eames is usually there to be the dry wit or the conscience. Are you okay with this role, or do you think Eames deserves more respect?
Erbe: Sometimes Eames has a lot to do, and sometimes she doesn't. I've fought for the whole time for her to have more of an impact on the work that they're doing, and it's gone up and down. I like being the dry wit. I wish I actually did more of that these days. The humor has kind of gone out of the character, and so I would like to find a way to bring that back.
Is Eric Bogosian going to have a lot to do this season as your captain?
Erbe: Yes. We just got him out in the woods last night in the rain.
D'Onofrio: We located a girl in the woods with the captain last night.
Erbe: Yes. He comes out a lot more this season than he ever has, I think. He was wondering really why he wanted to do that, when we were standing out in the middle of the woods in the rain.
The show seems to have completely dropped the "Law" end of "Law & Order." Is that ever coming back, or has it just kind of fallen by the wayside?
Erbe: We miss Courtney [B. Vance, who played Assistant District Attorney Ron Carver]. But we haven't been in court at all this year, not once. I didn't even think about that.
D'Onofrio: I mean, as you know, it never really focused on that very much anyway, but one of the cool things about having an ADA in the show is that you have to actually answer to somebody. Because there's a tension between the captain and the two detectives, but there's also a certain kind of tension between the detectives and the assistant district attorney, and that's fun to play. So we don't get to do that often anymore.
I know you guys aren't working directly with Jeff Goldblum, but have you seen any of his work on the show, and how is he fitting in?
Erbe: We only really got to see him in the beginning, when he was waiting for his scripts to be ready. He came and hung out with us extensively and learned all the names of everybody on the crew and just asked us a lot of questions. It seems like the crew is really happy with him and the producers and like he's having a good time.
D'Onofrio: To me it looks like he's psyched.
Have you worked with any particularly interesting guest stars or bad guys for the new season?
Erbe: We have, a lot. We have Lynn Redgrave; we have Scott Cohen (Gilmore Girls) and Kathy Baker (Picket Fences) in the episode Sunday night. We had a great time with them. Who else, Vince?
D'Onofrio: We've also worked with some really good unknown actors, young people that were really good. We're very lucky in that way, that most times we get really good actors, whether they're known actors or not.
Do you have a favorite type of case to tackle on the show?
D'Onofrio: Yes, I like simpler stories. Like we just finished one spree-killer type story, about one guy doing bad things, and Kate and I had to catch him. It was more direct, not complicated, and it had heart, and I like that kind of thing.
When you guys first took on these roles, did you go into it knowing full well that this might become a long-term commitment?
Erbe: I don't think either of us thought that we were going to be doing it for eight years.
D'Onofrio: No way.
Erbe: No. They never would have gotten you to agree to that.
D'Onofrio: No way. The first 13 [episodes] were such a blur that I don't think either of us was even thinking about -- I don't know, it wasn't weighing heavy on me what was going to happen. Was it weighing heavy on you, Kate?
Erbe: No. We had no idea. It was just getting through each day, really, trying to make it to the end.
D'Onofrio: The first 13 scripts were really, really good scripts -- maybe there was like one clunker out of the 13, but they were really good scripts -- and it was very tough to figure out how to pull the show off while we were doing them. It was just a blur. I wasn't thinking about whether the show was going to run, honestly. That's the honest truth. And I think we knew earlier than most people do that it was going to go.
How have they managed to keep you two on the show for so long -- especially you, Vincent? You've certainly looked for a lot of variety in your film roles. Is it a love of the characters or is it a comfort zone or are they writing you the big checks, or is it a combination of all three?
D'Onofrio: For me it's a combination of all three. I have a lot of freedom because of Law & Order. I have a lot of creative freedom on the show, and I have a lot of freedom with my own time to do other films and do anything I want, so -- it's a very good situation.
Erbe: Yes, and it gives us a structure for our lives. I mean, I was ready to give up acting because I couldn't handle never knowing when I would have a paycheck or where the job would take me. And having a daughter and now my son, it was just too hard of a life. And now, when we have time off, we know that it's time off; it's not time out of work, looking for other work. And it's really such an amazing experience to work with the same people for this length of time. It's challenging and it's so gratifying to know everybody's families and -- it's just a very different experience from the sort of crash-and-burn of going from one job to another, this gypsy lifestyle, never knowing where you're going to be when. So it's a very different, much more stable environment, if it's even possible to say that.
Do either of you have any non-Criminal Intent projects coming up?
Erbe: I have a movie with Edie Falco and Elias Koteas called Three Backyards. You have lots, right, Vin? You did like 17 films on the last hiatus -- directed, starred...
D'Onofrio: I directed a film over the summer, a kind of new genre that I invented, slasher musical. It's called Don't Go in the Woods. I just finished it, and we're taking it to L.A. in a week to sell to a distributor, so it'll probably be out sometime, I hope, soon. I have a movie, The Narrows, coming out, and a movie called Staten Island coming out that I acted in -- both of those. And that's all.
Do either of you have any roles you've played that you'd like to forget?
Erbe: The Mighty Ducks 2.
D'Onofrio: A lot of them I'd like to forget. Can I just say most of them?
Erbe: You would not say that, you're being sarcastic.
D'Onofrio: Rather than name them? Because I don't want to insult the filmmakers.
Erbe: Yes, I even feel bad that I even said Mighty Ducks 2, because some people liked that movie.
Catch the new season of Law & Order: Criminal Intent Sunday night at 9 PM on USA, and talk about it in our CI forums! Then check back next week for our interview with Jeff Goldblum and Julianne Nicholson!
will be available to buy at Big W (Australia) on Wednesday 3rd June 2009
Merry Christmas - Aussie Style
Australia is a very confusing place, taking up a large amount of the bottom half of the planet. It is recognisable from orbit because of many unusual features, including what at first looks like an enormous bite taken out of its southern edge; a wall of sheer cliffs which plunge deep into the girting sea. Geologists assure us that this is simply an accident of geomorphology and plate tectonics, but they still call it the "Great Australian Bight" proving that not only are they covering up a more frightening theory, but they can't spell either.
The first of the confusing things about Australia is the status of the place. Where other land masses and sovereign lands are classified as either continent, island, or country, Australia is considered all three. Typically, it is unique in this.
The second confusing thing about Australia are the animals. They can be divided into three categories: Poisonous, Odd, and Sheep. It is true that of the 10 most poisonous arachnids on the planet, Australia has 9 of them. Actually, it would be more accurate to say that of the 9 most poisonous arachnids, Australia has all of them. However, there are curiously few snakes, possibly because the spiders have killed them all. But even the spiders won't go near the sea. Any visitors should be careful to check inside boots (before putting them on) under toilet seats (before sitting down) and generally everywhere else. A stick is very useful for this task.
Strangely, it tends to be the second class of animals (the Odd) that are more dangerous. The creature that kills the most people each year is the common Wombat. It is nearly as ridiculous as its name, and spends its life out to eat worms and grubs.
The wombat kills people in two ways: First, the animal is indestructible. Digging holes in the hard Australian clay builds muscles that outclass Olympic weightlifters. At night, they often wander the roads. Semi-trailers (Road Trains) have hit them at high speed, with all 9 wheels on one side, and this merely makes them very annoyed. They express this by snorting, glaring, and walking away. Alas, to smaller cars, the wombat becomes an asymmetrical launching pad, with results that can be imagined,but not adequately described. The second way the wombat kills people relates to its burrowing behaviour. If a person happens to put their hand down a Wombat hole, the Wombat will feel the disturbance and think "Ho! My hole is collapsing!" at which it will brace its muscled legs and push up against the roof of its burrow with incredible force, to prevent its collapse. Any unfortunate hand will be crushed, and attempts to withdraw will cause the Wombat to simply bear down harder. The unfortunate will then bleed to death through their crushed hand as the wombat prevents him from seeking assistance. This is considered the third most embarrassing known way to die, and Australians don't talk about it much.
At this point, we would like to mention the Platypus, estranged relative of the mammal, which has a duck-bill, otter's tail, webbed feet, lays eggs, detects its aquatic prey in the same way as the electric eel, and has venomous barbs attached to its hind legs, thus combining all 'typical' Australian attributes into a single improbable creature.
The last confusing thing about Australia is the inhabitants. First, a short history: Some time around 40,000 years ago, some people arrived in boats from the north. They ate all the available food, and lot of them died. The ones that survived learned respect for the balance of nature, man's proper place in the scheme of things, and spiders. They settled in, and spent a lot of the intervening time making up strange stories.
Then, around 200 years ago, Europeans arrived in boats from the north. More accurately, European convicts were sent, with a few deranged and stupid people in charge. They tried to plant their crops in Autumn (failing to take account of the reversal of the seasons when moving from the top half of the planet to the bottom), ate all their food, and a lot of them died. About then the sheep arrived, and have been treasured ever since. It is interesting to note here that the Europeans always consider themselves vastly superior to any other race they encounter, since they can lie, cheat, steal, and litigate (marks of a civilised culture they say) - whereas all the Aboriginals can do is happily survive being left in the middle of a vast red-hot desert, equipped with a stick.
Eventually, the new lot of people stopped being Europeans on Extended Holiday and became Australians. The changes are subtle, but deep, caused by the mind-stretching expanses of nothingness and eerie quiet, where a person can sit perfectly still and look deep inside themselves to the core of their essence, their reasons for being, and the necessity of checking inside your boots every morning for fatal surprises. They also picked up the most finely tuned sense of irony in the world, and the Aboriginal gift for making up stories. Be warned.
There is also the matter of the beaches.
Australian beaches are simply the nicest and best in the entire world.
Although anyone actually venturing into the sea will have to contend with sharks, stinging jellyfish, stonefish (a fish which sits on the bottom of the sea, pretends to be a rock, and has venomous barbs sticking out of its back that will kill just from the pain) and surfboarders. However, watching a beach at sunset is worth the risk.
As a result of all this hardship, dirt, thirst, and wombats, you would expect Australians to be a dour lot. Instead, they are genial, jolly, cheerful, and always willing to share a kind word with a stranger, unless they are an American. Faced with insurmountable odds and impossible problems, they smile disarmingly and look for a stick. Major engineering feats have been performed with sheets of corrugated iron, string, and mud.
Alone of all the races on earth, they seem to be free from the 'Grass is greener on the other side of the fence' syndrome, and roundly proclaim that Australia is, in fact, the other side of that fence. They call the land "Oz", "Godzone" (a verbal contraction of "God's Own Country") and "Best bloody place on earth, bar none, strewth." The irritating thing about this is they may be right.
There are some traps for the unsuspecting traveller, though. Do not under any circumstances suggest that the beer is imperfect, unless you are comparing it to another kind of Australian beer. Do not wear a Hawaiian shirt. Religion and Politics are safe topics of conversation (Australians don't care too much about either) but Sport is a minefield. The only correct answer to "So, howdya' like our country, eh?" is "Best {insert your own regional swear word here} country in the world!" .
It is very likely that, on arriving, some cheerful Australians will 'adopt'you, and on your first night, and take you to a pub where Australian Beer is served. Despite the obvious danger, do not refuse. It is a form of initiation rite. You will wake up late the next day with an astonishing hangover, a foul-taste in your mouth, and wearing strange clothes. Your hosts will usually make sure you get home, and waive off any legal difficulties with "It's his first time in Australia, so we took him to thesure to tell the story of these events to every other Australian you encounter, adding new embellishments at every stage, and noting how strong the beer was. Thus you will be accepted into this unique culture.
Most Australians are now urban dwellers, having discovered the primary use of electricity, which is air-conditioning and refrigerators.Typical Australian sayings:
- "G'Day!"
- "It's better than a poke in the eye with a sharp stick."
- "She'll be right."
- "And down from Kosciusko, where the pine clad ridges raise their torn and rugged battlements on high, where the air is clear is crystal, and the white stars fairly blaze at midnight in the cold and frosty sky. And where, around the overflow, the reed beds sweep and sway to the breezes, and the rolling plains are wide. The Man from Snowy River is a household word today, and the stockmen tell the story of his ride."
Tips to Surviving Australia
- Don't ever put your hand down a hole for any reason whatsoever. We mean it.
- The beer is stronger than you think, regardless of how strong you think it is.
- Always carry a stick.
- Air-conditioning.
- Do not attempt to use Australian slang, unless you are a trained linguist and good in a fistfight.
- Thick socks.
- Take good maps. Stopping to ask directions only works when there are people nearby.
- If you leave the urban areas, carry several litres of water with you at all times, or you will die.
- Even in the most embellished stories told by Australians, there is always a core of truth that it is unwise to ignore.
A transcript of his Election Night Speech.
Here is the transcript of Obama's speech that he gave last night in Grant Park in Chicago. The video of the speech follows, which was posted on YouTube by BarackObamadotcom. I just hope the man is given half a chance to become the President I truly believe he is capable of being.
Remarks of President-Elect Barack Obama-as prepared for delivery
Election Night
Tuesday, November 4th, 2008
Chicago, Illinois
If there is anyone out there who still doubts that America is a place where all things are possible; who still wonders if the dream of our founders is alive in our time; who still questions the power of our democracy, tonight is your answer.
It's the answer told by lines that stretched around schools and churches in numbers this nation has never seen; by people who waited three hours and four hours, many for the very first time in their lives, because they believed that this time must be different; that their voice could be that difference.
It's the answer spoken by young and old, rich and poor, Democrat and Republican, black, white, Hispanic, Asian, Native American, gay, straight, disabled and not disabled - Americans who sent a message to the world that we have never been a collection of Red States and Blue States: we are, and always will be, the United States of America.
It's the answer that led those who have been told for so long by so many to be cynical, and fearful, and doubtful of what we can achieve to put their hands on the arc of history and bend it once more toward the hope of a better day.
It's been a long time coming, but tonight, because of what we did on this day, in this election, at this defining moment, change has come to America.
I just received a very gracious call from Senator McCain. He fought long and hard in this campaign, and he's fought even longer and harder for the country he loves. He has endured sacrifices for America that most of us cannot begin to imagine, and we are better off for the service rendered by this brave and selfless leader. I congratulate him and Governor Palin for all they have achieved, and I look forward to working with them to renew this nation's promise in the months ahead.
I want to thank my partner in this journey, a man who campaigned from his heart and spoke for the men and women he grew up with on the streets of Scranton and rode with on that train home to Delaware, the Vice President-elect of the United States, Joe Biden.
I would not be standing here tonight without the unyielding support of my best friend for the last sixteen years, the rock of our family and the love of my life, our nation's next First Lady, Michelle Obama. Sasha and Malia, I love you both so much, and you have earned the new puppy that's coming with us to the White House. And while she's no longer with us, I know my grandmother is watching, along with the family that made me who I am. I miss them tonight, and know that my debt to them is beyond measure.
To my campaign manager David Plouffe, my chief strategist David Axelrod, and the best campaign team ever assembled in the history of politics - you made this happen, and I am forever grateful for what you've sacrificed to get it done.
But above all, I will never forget who this victory truly belongs to - it belongs to you.
I was never the likeliest candidate for this office. We didn't start with much money or many endorsements. Our campaign was not hatched in the halls of Washington - it began in the backyards of Des Moines and the living rooms of Concord and the front porches of Charleston.
It was built by working men and women who dug into what little savings they had to give five dollars and ten dollars and twenty dollars to this cause. It grew strength from the young people who rejected the myth of their generation's apathy; who left their homes and their families for jobs that offered little pay and less sleep; from the not-so-young people who braved the bitter cold and scorching heat to knock on the doors of perfect strangers; from the millions of Americans who volunteered, and organized, and proved that more than two centuries later, a government of the people, by the people and for the people has not perished from this Earth. This is your victory.
I know you didn't do this just to win an election and I know you didn't do it for me. You did it because you understand the enormity of the task that lies ahead. For even as we celebrate tonight, we know the challenges that tomorrow will bring are the greatest of our lifetime - two wars, a planet in peril, the worst financial crisis in a century. Even as we stand here tonight, we know there are brave Americans waking up in the deserts of Iraq and the mountains of Afghanistan to risk their lives for us. There are mothers and fathers who will lie awake after their children fall asleep and wonder how they'll make the mortgage, or pay their doctor's bills, or save enough for college. There is new energy to harness and new jobs to be created; new schools to build and threats to meet and alliances to repair.
The road ahead will be long. Our climb will be steep. We may not get there in one year or even one term, but America - I have never been more hopeful than I am tonight that we will get there. I promise you - we as a people will get there.
There will be setbacks and false starts. There are many who won't agree with every decision or policy I make as President, and we know that government can't solve every problem. But I will always be honest with you about the challenges we face. I will listen to you, especially when we disagree. And above all, I will ask you join in the work of remaking this nation the only way it's been done in America for two-hundred and twenty-one years - block by block, brick by brick, calloused hand by calloused hand.
What began twenty-one months ago in the depths of winter must not end on this autumn night. This victory alone is not the change we seek - it is only the chance for us to make that change. And that cannot happen if we go back to the way things were. It cannot happen without you.
So let us summon a new spirit of patriotism; of service and responsibility where each of us resolves to pitch in and work harder and look after not only ourselves, but each other. Let us remember that if this financial crisis taught us anything, it's that we cannot have a thriving Wall Street while Main Street suffers - in this country, we rise or fall as one nation; as one people.
Let us resist the temptation to fall back on the same partisanship and pettiness and immaturity that has poisoned our politics for so long. Let us remember that it was a man from this state who first carried the banner of the Republican Party to the White House - a party founded on the values of self-reliance, individual liberty, and national unity. Those are values we all share, and while the Democratic Party has won a great victory tonight, we do so with a measure of humility and determination to heal the divides that have held back our progress. As Lincoln said to a nation far more divided than ours, "We are not enemies, but friends...though passion may have strained it must not break our bonds of affection." And to those Americans whose support I have yet to earn - I may not have won your vote, but I hear your voices, I need your help, and I will be your President too.
And to all those watching tonight from beyond our shores, from parliaments and palaces to those who are huddled around radios in the forgotten corners of our world - our stories are singular, but our destiny is shared, and a new dawn of American leadership is at hand. To those who would tear this world down - we will defeat you. To those who seek peace and security - we support you. And to all those who have wondered if America's beacon still burns as bright - tonight we proved once more that the true strength of our nation comes not from our the might of our arms or the scale of our wealth, but from the enduring power of our ideals: democracy, liberty, opportunity, and unyielding hope.
For that is the true genius of America - that America can change. Our union can be perfected. And what we have already achieved gives us hope for what we can and must achieve tomorrow.
This election had many firsts and many stories that will be told for generations. But one that's on my mind tonight is about a woman who cast her ballot in Atlanta. She's a lot like the millions of others who stood in line to make their voice heard in this election except for one thing - Ann Nixon Cooper is 106 years old.
She was born just a generation past slavery; a time when there were no cars on the road or planes in the sky; when someone like her couldn't vote for two reasons - because she was a woman and because of the color of her skin.
And tonight, I think about all that she's seen throughout her century in America - the heartache and the hope; the struggle and the progress; the times we were told that we can't, and the people who pressed on with that American creed: Yes we can.
At a time when women's voices were silenced and their hopes dismissed, she lived to see them stand up and speak out and reach for the ballot. Yes we can.
When there was despair in the dust bowl and depression across the land, she saw a nation conquer fear itself with a New Deal, new jobs and a new sense of common purpose. Yes we can.
When the bombs fell on our harbor and tyranny threatened the world, she was there to witness a generation rise to greatness and a democracy was saved. Yes we can.
She was there for the buses in Montgomery, the hoses in Birmingham, a bridge in Selma, and a preacher from Atlanta who told a people that "We Shall Overcome." Yes we can.
A man touched down on the moon, a wall came down in Berlin, a world was connected by our own science and imagination. And this year, in this election, she touched her finger to a screen, and cast her vote, because after 106 years in America, through the best of times and the darkest of hours, she knows how America can change. Yes we can.
America, we have come so far. We have seen so much. But there is so much more to do. So tonight, let us ask ourselves - if our children should live to see the next century; if my daughters should be so lucky to live as long as Ann Nixon Cooper, what change will they see? What progress will we have made?
This is our chance to answer that call. This is our moment. This is our time - to put our people back to work and open doors of opportunity for our kids; to restore prosperity and promote the cause of peace; to reclaim the American Dream and reaffirm that fundamental truth - that out of many, we are one; that while we breathe, we hope, and where we are met with cynicism, and doubt, and those who tell us that we can't, we will respond with that timeless creed that sums up the spirit of a people: Yes We Can.
Thank you, God bless you, and may God Bless the United States of America.
http://www.podengo.com/apocrypha/charact
Detective First Grade Robert Goren
Played by: Vincent D'Onofrio
Introduction Scene: CI Episode 1, "One" (9/30/01)
First Lines: "They live here?"
Work Information
Office Address:
Major Case Squad, One Police Plaza, 11th Floor. CI Episode 8, "The Pardoner's Tale" (11/18/01)
Office Phone Number:
(212) 555-0146. CI Episode 16, "Phantom" (3/17/02)
Known Partners:
Detective Alexandra Eames (2001-Present)
Professional Idiosyncracies/Quirks:
- Carries a brown zippered notebook, cell phone, cloth handkerchief, pocket knife.
- Leaves Eames task of interviewing witnesses at fresh scene; examines physical evidence personally.
- Can catch forensic evidence CSU techs miss.
- Extremely detail-oriented; doesn't miss a thing. Most of the time.
- Not always totally accurate with his profiles.
Career History
- Served in U.S. Army, where he learned to speak and read German. CI Episode 2, "Art" (10/7/01)
- Prior to joining the Major Case Squad, worked as a detective in Narcotics for 4 years, running 3 sting operations that resulted in 27 major arrests, all of which resulted in convictions. CI Episode 13, "The Insider" (1/27/02)
- Disinterested in Narcotics now; when Captain Deakins suggests Goren and Eames hand off a killing spree case to Precinct 15 to join the mayor's drug task force, Goren recognizes that it's a good chance to "get noticed," but neither he nor Eames seem enthusiastic about the career opportunity. CI Episode 5, "Jones" (10/21/01)
- Excluding hostage situations, between them Goren and Eames have handled nearly a dozen kidnappings and have not lost a single person. CI Episode 14, "Homo Homini Lupus" (3/03/02)
Medical/Psychological History
- Shown smoking once, bumming a puff from a street person. CI Episode 4, "The Faithful" (10/17/01) but has said he quit smoking 7 years ago. CI Episode 30, "Pilgrim"(11/17/02)
- Has experience dealing with the mentally ill (later on it is revealed his mother was schitzophrenic). CI Episode 4, "The Faithful" (10/17/01)
- Takes an antacid after eating pastrami with mustard. CI, Episode 13, "The Insider" (1/27/02)
- Has keen sense of smell.
- Considering getting teeth fixed. CI Episode 5, "Jones" (10/21/01) (Episode in dispute; this may have come from CI Episode 16, "Phantom" - confirmation is pending)
- Has observed sodium amital used on Soviet defectors. CI Episode 30, "Pilgrim"(11/17/02)
- Does not like confined or closed in spaces (i.e. small elevators.) CI Episode 41, "Cherry Red" (04/07/03); CI Episode 50, "Pravda" (10/26/03)
Personal Information/History
Religion:
Catholic (lapsed); former altar boy. CI Episode 4, "The Faithful" (10/17/01)
Other Aliases/Nicknames:
"Bobby" (Detective Alex Eames and Captain James Deakins); "Goren" (Captain James Deakins); "'Detective" (ADA Ronald Carver)
Childhood Events/Family Issues:
- Goren's mother disliked most of his childhood girlfriends. CI Episode 3, "Smothered" (10/14/01)
- Goren's mother was a librarian before being hospitalized with schitzophrenia. CI Episode 30, "Pilgrim"(11/17/02) Symptoms of the disease began manifesting when Goren was 7, and he remains protective of her.
- Father saw Johnny Unitas when he attended the 1958 championship game that went into sudden death overtime. CI Episode 41, "Cherry Red" (04/07/03)
- Has a brother who is a gambling addict. CI Episode 95, "In the Wee Small Hours" (11/06/05)
- His recently-deceased father left them when he was young. (Undocumented)
Friends:
- Lewis, an auto mechanic/body shop owner specializing in classic car restoration. CI Episode 8, "The Pardoner's Tale" (11/18/01)
- Has a friend named Max who is a rabbi. CI Episode 31, "Pilgrim"(12/01/02)
- Has a friend named Stephen who is a linguist at Princeton. CI Episode 52, "A Murderer Among Us" (11/09/03)
Romantic Entanglements/Dates:
- Once dated Irene, a stockbroker, who is saving up to buy a house with (presumably new significant other) Carlos. CI Episode 10, "The Enemy Within" (12/9/01)
- Read the Koran while stationed in Germany to impress a Turkish girl who lived near the base. CI Episode 30, "Pilgrim"(11/17/02)
- Once dated a girl named Lola, who had cats. (Goren to Eames: "I had a girlfriend, Lola. She had cats...." Eames: "You ate furballs for her?" CI Episode 41, "Cherry Red" (04/07/03)
Education:
- Took a few psychology courses in college. CI Episode 9, "The Good Doctor" (11/25/01)
- Learned to speak and read German while in the Army. CI Episode 2, "Art,"(10/07/01)
- Read the Koran while stationed in Germany to impress a Turkish girl who lived near the base. CI Episode 30, "Pilgrim"(11/17/02)
Political Opinions/Affiliations:
- Did not vote for current governor (Pataki, Republican). CI Episode 8, "The Pardoner's Tale" (11/18/01)
- Believes that idealy, children should have two parents. CI Episode 6, "The Extra Man" (10/28/01)
- Pro-choice. CI Episode 11, "The Third Horseman" (1/6/02)
Interests/Hobbies/Tastes:
- Likes the art of Lucien Freud, preferring it to Impressionist works. CI Episode 2, "Art"(10/07/01)
- Likes to dance. CI Episode 5, "Jones" (10/21/01)
- Knows how to make bouillabaisse (the French seafood-based stew). CI Episode 16, "Phantom" (3/17/02)
- Reads "Smithsonian" magazine. To Eames: "It's the perfect size for my treadmill." CI Episode 30, "Pilgrim"(11/17/02)
Catch Phrases/Personal Quirks:
- Refers to and addresses his partner, Detective Alexa Eames by her surname, but in serious moments has called her "Alex."
- Usually addresses ADA Ron Carver as "Counselor."
- Has referred to spiking over the counter drugs with cyanide [CI Episode 7, "Poison" (11/11/01)] and publication of names of doctors willing to perform abortions [CI Episode 11, "The Third Horseman" (1/6/02)] as "terrorism."
- Tends towards calling appealing automobiles "sweet." CI Episode 8, "The Pardoner's Tale" (11/18/01); CI Episode 12, "Crazy" (1/13/02)
- Left-handed.
- Size 13 shoe.


